Don’t expect to have someone with that expertise in your congregation, though. Their descriptive text uses the phrase “ it is possible.” Just remember it is possible to sing I’m A Yankee Doodle Dandy while juggling knives, riding a unicycle, and balancing a dish on your nose. That being said, PRO SVL (Sound, Lighting, Video) in Pensacola has a starter package they call Live-Stream Studio In A Box for $9,000. As a result, we sometimes had no audio when speakers started their session. For instance the conference site needed separate mixers for the live sound and the broadcasted sound, and they had failed to account for the need for another audio tech to man the broadcast board 100% of the time. In spite of having multiple technical conferences via WebEx, two dress rehearsals, and audio and broadcasting professionals involved, the conference still had issues that nobody had foreseen. Unless this is simply broadcasting a static camera to shut-ins, it will take a dedicated team, dedicated equipment, and the full support of your church leadership ($$$$) to pull it off.Ĭase in point: A year ago I was technical coordinator of a receiving endpoint for a video-conference that was simulcast via UStream and using WebEx Video Conferencing as the back-channel. In addition, Bryce and Michael are right this is not something to do on the cheap. It beats the pants off of negotiating individual broadcast licenses for each song. The worker is worthy of his hire, and that goes for songwriters too.ĬCLI has a license for streaming (separate from the license for use and projecting) that you should check out. ![]() There is an expense for using Copyrighted music, but the expense of not paying for it up front can be way higher than planning for and budgeting for the licensing. ![]() Also don’t forget about the expense of licensing copyrighted music that may be used in the service.
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